Scoring Techniques for Basic Glass Bottle Fusing with Jodi McRaney Rusho

“If you do a lot of bottles and you do have one of the little contraptions that,
does the score for you, you might want to consider a tiny propane torch,
So we’re going to put that candle flame on or close to this score, and I can, I can kind of see it through the bottle. So I know where that is. And if you listen very carefully, you can hear this little tink. So basically now you’re heating up where you scored.”

Learn more about the course here:
https://www.curiousmondo.com/basic-bottle-glass-fusing-course

Safety Advice for Freeform Shapes Glass & Stone by Jack Hoque

“When you’re working in rock mainly silica, make sure you have a good mask. I have a better one at home, but it’s gonna, it would be hard to talk through it. So I’m hoping this one’s better because at some point in this carving course, I’m going to be using this Silicon carbide wheel, which is not good to breathe in. It’ll silicate, your lungs you’ll get silicosis or whatever. It’s just really, really bad to breathe in. Pretty much any dust from lapidary is bad debris then. So if at any point you’re hafting to work at dry, which you shouldn’t really, unless it’s part of my policy. For pre polish, but mainly you work in water. So if you’re working in water and you keeping it wet,
or you’re working with, with a, extended fluid, which is a Silicon based fluid that keeps the diamond on your bits. You’re not going to have to worry
about a mask as much.”

Learn more about the course here:
https://www.curiousmondo.com/carve-glass-and-stone-course

Teaching Techniques For Beginning Basket Weaving with Cheryl Dixon

“So you’ve got your length. So what you do is you find the good side of your read. Of course, you need to take it under, you can start anywhere. You take it under so that this is sticking out on the outside of the basket. Then my piece of round red, I’ve put the ants together and I’ve put it together like a hair, a pen, you know how a hairpin has that, that looped look that I’m going to hook it over this. This is the hardest part of this technique is getting it started. So I hooked it over there. I’m not going to push this down just yet, so you can really see the technique. So we’re going to have X’s on the outside of every other one. So I’m just going to take this. It doesn’t matter which one you take first, as long as you’re consistent with it. So this I take down this one up, so I make this X.”

Learn more about the course here: https://www.curiousmondo.com/beginning-basket-weaving-course

Applying Clay to the Armature of a Baby Angel Fairy Sculpture with Apryl Jensen

“I think first we’re going to put some of the clay on, on this armature, cause I’m just itching to get this clay on there. So what we’re going to do is that
just to kind of take these pieces that I’ve needed and conditioned, and I
make them into little pancake shapes, and these are probably about
a quarter of an inch thick and I’m just going to wrap it on, I’ll wrap it around. And when you put this on, you just want to make sure that you’re
pressing the clay up snug against the armature. So you’re not leaving air
pockets and speaking of air pocket, that was great timing.”

Learn more about the course here:
https://www.curiousmondo.com/sculpting-baby-fairy-course

Tracing Stencils for Dimensional Paper Clay Art with Rogene Mañas

“So the first thing I’m going to do on my nice smooth piece of clay is I’m going to just put this off to the side here and now I’m going to trace around that actual actually that’s remind me that that’s upside down to you. So turn it around here. If I put it right in the middle of the clay, then I, then I’ve, you know, have to roll it out again. And I want to keep all that because I have all these other leaves and stems I’m going to put on there. So I’m just going to take a ballpoint pen and go over my bird with a ballpoint pen. In terms of pressure. It’s the same pressure as if you were riding on it. You’re writing on a paper, but you also, you know, you can poke through it. So, and I probably will do that a couple of times. “

Learn more about the course here:
https://www.curiousmondo.com/dimensional-art-paper-clay-course

Plaster of Paris Molds & Basic Glass Bottle Fusing with Jodi Mcraney Rusho

For plaster of paris, we use two parts plaster to one part water. We’ll just do it that way. Let’s just regular plastic. Regular plaster paris. You can get at a home Depo or a hardware store or a craft store. Two parts class, or one day. Part water, two parts plaster, one part water. By volume. Get it in the mold before it sets up too much.

Learn more about the course here:
https://www.curiousmondo.com/basic-bottle-glass-fusing-course

Making Clay Leaves for a Dragonfly Notebook Cover with Andrea Corpodean

“What we’re going to do is take one of the leaves and just place it on the clay. Actually, you know what, I’m going to place all of them right now.
And I’m going to apply some pressure to the paper. No idea why, but lately my lifts have become kind of crunchy. I’m afraid that when I tried to take them off the clay, they might break now. I really hope it will happen.
But, I know it might, so I’m going to apply, some pressure on the entire leaf and then I will just take them off the clay.”

Learn more about the course here:
https://www.curiousmondo.com/dragonfly-notebook-cover-course

Teaching Techniques for Beginning Basket Weaving with Cheryl Dixon

We’re playing leap frog. So you have two friends and yourself, and you’re playing leapfrog where you jump over the people in front of you. Typically, you can only play with two people where you leap over, but we’re going to pretend like you’ve got really long legs. So I’m going to leap over these two and under this one. Okay. Now I like to teach with different explanations, different analogies, so that if you didn’t understand that you can understand a different way. So we’re going to play the train game. So we have a train here and this one is the engine. This middle one is the dining car, and this one is the caboose. So poor caboose always wants to be the big engine because the engine gets the most attention. So he’s going to jump over the dining car and that one in there he is. He’s now the engine.

Learn more about the course here: https://www.curiousmondo.com/beginning-basket-weaving-course

Applying the Fur for a Fantasy Fox Posable Art Doll with Jenny Roemmich

I’m going to put a little bit glue down, trying to get it as flush to the face as you can. So what I mean by that is it’s not bubbling up off your face. You just want a really thin layer. This is where that nozzle comes in useful, and you take your nippers. Let’s see if I can get this up here to take your nippers, find your edge, and then just cut off some of that for. So with fur, so you don’t have to cut a ton. I cut a little bit more than I normally do. I usually cut about this much, just so I have a little bit to work with. If you have a straight edge, great. If you don’t cut a straight edge and you can feather it too, if any of you have done Cedar makeup or anything like that, what I mean by feathering is you’re going to put your thumb. You’re going to slide it back a little bit. So what it’s doing to the fur is it’s taking this top layer and it’s scooting it back, but the bottom layer is still on this finger. And so it’s staying forward. So now I have a little bit of variation in where my foot is going to end up. So it’s not a straight blunt line. It’s more feathered.

Learn more about the course here: https://www.curiousmondo.com/fantasy-fox-posable-course

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