Asia Raine is a Utah jewelry artist and owner of Asia Raine Designs. She specializes in creating jewelry that showcases the natural beauty of semi-precious stones and metals. As a designer who thrives in creative spaces, she enjoys sharing her knowledge through teaching. Her workshops invite exploration and skill development, bringing unlimited diversity to the workbench. Her designs are influenced by her travels and a love for nature. Asia Raine jewelry can be found in shops in Connecticut, Oregon, New Mexico, and Utah as well as online.
Create a lovely autumn arrangement with electroformed elements. Use glass, plastic, and organic elements to add copper plated elements to give your own touch of uniqueness to your arrangement. Learn how to prepare pieces for the electroforming process and follow through to make beautiful copper elements.
Jack of all trades and best known as that guy you haven’t heard of yet, this rugged gentleman specializes in a variety of quick-handed creativity. Most of his body of work is in leatherworking, prop blade-making, woodwork and illustration, but is always keen to get his hands dirty learning new trades Working hard and keeping busy with film jobs, prop making, theme park building as well as vending and teaching panels at conventions and renaissance faires, this man is elusive, to say the least. Known as a soft-spoken, charming and all-around fun fellow, this Georgia native is a dedicated artist that seeks to devote himself as much to his craft as possible. He is currently based in Utah, and working to achieve that all too familiar goal of making a career out of being oneself.
If you’re looking to learn a little leathercraft as a hobby, or you want to be frugal and save money by making it yourself, but don’t want to spend 100’s or 1000’s of dollars on trials and error, you’re going to want to check this class out. You’re going to learn a multitude of skills here. Basics, execution of techniques, leather theory as well as making all things applicable to future projects. The first class will be a 2 part with making a bracelet and then a clip-on phone wallet. We’re going to go through the alpha and omega of the project. From thinking around the project, making a pattern and then texturing, dyeing and assembling. The second class will be leather armor and prop making for 1:6 scale figures. Following the same formula as the first class. Thinking about aesthetics, patterns, texturing, dyeing and assembly.
Melissa Terlizzi is an “accidental” polymer clay artist. She stumbled onto the material in 2011 while looking for a way to create her own buttons and brooches for her handknit scarves. Something clicked inside her—all other hobbies fell away and she began to focus full time on creating polymer art. Today Melissa is well known in the polymer art community for her whimsical nature-inspired wall pieces and small sculptures. Her subjects are often the creatures she calls “overlooked”—reptiles, amphibians, bugs and birds that are familiar to most of us, but not necessarily beloved. With polymer clay, she can satisfy her curiosity about science, and share what she’s learned with the people who enjoy her art.
Melissa works with the colored clay, blending and combining different colors into complex, patterned “canes,” which are then sliced and textured to become everything from a beetle’s wing or turtle shell to a shaggy piece of tree bark. Finished creations are enhanced with oil paints. Her work is detailed and lifelike, but almost always whimsical. Melissa doesn’t take herself too seriously and believes her art shouldn’t either!
Melissa loves sharing her passion for polymer through teaching. She teaches workshops and at a summer camp near her home in Virginia, and has published online tutorials on the “Polymer Clay Universe.” Her work is featured in galleries in Virginia and Europe and has received numerous awards. Her art has also been profiled in several publications: the “Fredericksburg Literary & Art Review” (2017), “Polymer Week Magazine” (2018), “Polymer Journeys 2019: The Art & Craft of Polymer” (2019), and the popular online blog, “Polymer Clay Daily.”
Join polymer clay artist Melissa Terlizzi for 3 days of sculpting night flyers. In a new art course perfect for spooky autumn crafting, Melissa will share how she makes 3 of her most popular clay creatures: an upside down-hanging bat, a sweet-faced owl, and a mysterious green luna moth. Straightforward tips and techniques on working with polymer clay will make this sculpting class a must-see for anyone who loves creating animals—whether they have been sculpting with polymer clay for years or have yet to crack the plastic on their first packet of clay.
Stephanie is a jewelry maker and instructor. She is a diverse artist, proficient in many jewelry mediums. Her go-to and preferred medium is Precious Metal Clay (PMC). The metal clay process enables Stephanie to create unique one-of-a-kind jewelry. While working in the mixed media art industry she took her first class in PMC, was instantly hooked and has been working with metal clay since 2008. After being certified through Rio Grande in 2010 Stephanie began teaching. Stephanie has continued to perfect and share her craft by teaching others how to make their own jewelry and art. She believes we each have the capacity to be inspired creators. Many people just need a safe, fun, environment to explore their own creative limits and that is what she provides and shares, bringing people to the joy that she knows in her daily craft.
This course will take you through a series of techniques and projects where you’ll learn to create pieces with 3-D dimension and movement. During this course, you will learn: Create walls, Boxes, Lockets, Hinges, Bails, …and much more!
Kiyoshi Mino is a needle felt artist based in Rock Island, IL. He discovered needle felting by accident when he and his wife were attending a yearlong organic farmer training program before starting their own farm. Kiyoshi immediately fell in love with it. He loved to draw as a kid but had never tried any form of sculpture before. It was very exciting for him to be able to draw in three dimensions with nothing but a needle and a clump of wool. He has always loved animals of all kinds and because wool is a type of animal fur itself, it is the perfect medium for realistically sculpting mammal fur and bird feathers. In his work, he focuses on wild animal species which he tries to render as faithfully as possible. Kiyoshi believes that almost all animals have unique personalities and emotional complexity just like humans and his goal when depicting wild animals is to try and convey this idea by capturing these unique personalities. He has given workshops in the US, China, Chile, and the Netherlands. His work has been exhibited in Shanghai, Boston, and New York City and featured in Fiber Art Now, Fast Company Design, and New York Magazine.
This course will provide students with the knowledge and techniques required to sculpt birds with open wings using wool and felting needle. Students will learn to use basic bird anatomy to construct a bird wing out of individual needle felted wool feathers and they will learn how to increase the detail and realism in all of their needle felt animal sculptures.
Karen Baker was born in Southern California, she has always been an artist but discovered polymer clay about 10 years ago, hooked on how detailed you can get with the medium she started making human figures. Her dolls are in collections all over the world and she enjoys teaching classes as well. She currently lives in Utah with her husband and 16-year-old son, two cats, and one horse.
Just in time for Christmas! Come learn how to make your own Santa! This class will employ the same techniques we used in the “How to Create Elves in Polymer Clay” but with more emphasis on his character face, how to apply a beard and mustache, creating his fat little *bowl full of jelly*, right down to his boots. This is a full three-day course and it’s going to be lots of fun, hope to see you there!
Qingyu Li is an animal figurine artist based in Halifax, Nova Scotia, Canada. He initially got into the field when his old cat passed away and wanted to make a sculpture in memory of him. To his surprise and delight, the journey only started there. Gradually Qingyu Li learned to make all sorts of animals in polymer clay and acrylic paint, and it is his great joy to bring them in front of the world as a reminder of either the beauty of nature as in wildlife or our emotions devoted to our companion animals. Qingyu Li personally believe animals are most beautiful just the way they are and try to represent them as realistic as possible, which is also a good way to show the resemblance and uniqueness of different species. He hopes through his work, people can learn about and appreciate the animals on our planet and will want to preserve the biodiversity in this world where it is increasingly hard for real-life wildlife encounters. The replicas of his work have been sold all over the world to collectors and animal lovers.
In this class, Qingyu Li will teach you step by step how to use polymer clay to sculpt a realistic feline and paint it. Polymer clay is a widely used medium for creating different styles of sculptures and miniatures. You will learn the basic cat anatomy used in art and learn to compare and transfer the knowledge to creating other animals. You will learn how to depict different kinds of fur and the tools applied. We will also do a little discussion in feline facial expressions and their various fur pattern. This is great for artists and hobbyists of all skill levels to learn more about realistic cat figures.
Rogene Mañas retired from her international card company, PhotoTidings, in 2006 to focus on art-making. She studied at the University of Oregon and worked with numerous professional artists in the Pacific Northwest, Mexico, Italy and France in developing her skills. After becoming an accomplished plein-air landscape painter, she made a sudden departure in style and materials after spending winters in Mexico. Inspired by the allegorical nature of Latin American folk art, she shifted her focus from the external world to the internal one. Now as a contemporary folk artist, she makes art about her own thoughts and feelings, often combining nature images with human forms. In her book, Artful Paperclay, published by North Light Books in 2016, Rogene shares the unique and inventive paper clay and mixed media techniques that make her work stand out. She teaches workshops in Oregon and Mexico, and her work may be seen in galleries in Oregon, California and at her website, www.rogenemanas.com. In 2011, she was featured on Oregon Art Beat, a regional program on PBS showcasing Oregon Artists. In this course with Rogene, you will learn how to create bas-relief images that have the look of carved wood and leave people wondering how they were made. Paper clay is an easy-to-use, air-dried clay that holds amazing detail is non-toxic, and does not require baking or firing. It comes out of the pack ready-to-use and is available at most art supply and craft stores. This unique and innovative process is fun, flexible and forgiving, making it perfect for beginning and advanced students alike.
If you want to check out how to create paper clay art, you can get lifetime access to the course at Curious Mondo’s Instant Access Courses.
Deanna has been taking classes continuously for the past 40 years and has been teaching for 30 years. She taught weaving at the University of Utah for eight years. She has shown her work and won awards throughout the intermountain area. Because of all her practice and knowledge, there is nobody else that you would want to teach how to do a double weave and make it on a 4-shaft loom. The course will go into more detail about Deanna, she will tell you the material and tools needed as well as the books that she likes. She will help explain ways to make the warping faster and easier as well as different threadings and why Deanna changed her way of doing it. She help to describe to you basic lifting to get two layers, shuttle manipulation to put in folds, tubes and openings, and weaving a double (triple) width piece and how to keep the fold smooth. There are so many different possibilities when it comes to using the double weave to your advantage. You can make a piece that is double the width of your loom, a tube that can turn into a bag or a pillow, pick up a pattern or design, and many more possibilities. Anyone who is interested in weaving, fiber art, or anyone who is looking to start a new hobby or career.
If you want to check out how to create a beautiful double weave on a 4-shaft loom, you can get lifetime access to the course at Curious Mondo’s Instant Access Courses.