In this Fiber Clay Sculpting Class, you’ll learn to make a bird out of Fiber Clay, an easy to use medium that doesn’t have to be fired. I use only four shapes, a ball, snake, potato, and pancake, to teach you to create sculptures you’ll be amazed you built.
“What we’re going to do is take one of the leaves and just place it on the clay. Actually, you know what, I’m going to place all of them right now. And I’m going to apply some pressure to the paper. No idea why, but lately my lifts have become kind of crunchy. I’m afraid that when I tried to take them off the clay, they might break now. I really hope it will happen. But, I know it might, so I’m going to apply, some pressure on the entire leaf and then I will just take them off the clay.”
I’m going to put a little bit glue down, trying to get it as flush to the face as you can. So what I mean by that is it’s not bubbling up off your face. You just want a really thin layer. This is where that nozzle comes in useful, and you take your nippers. Let’s see if I can get this up here to take your nippers, find your edge, and then just cut off some of that for. So with fur, so you don’t have to cut a ton. I cut a little bit more than I normally do. I usually cut about this much, just so I have a little bit to work with. If you have a straight edge, great. If you don’t cut a straight edge and you can feather it too, if any of you have done Cedar makeup or anything like that, what I mean by feathering is you’re going to put your thumb. You’re going to slide it back a little bit. So what it’s doing to the fur is it’s taking this top layer and it’s scooting it back, but the bottom layer is still on this finger. And so it’s staying forward. So now I have a little bit of variation in where my foot is going to end up. So it’s not a straight blunt line. It’s more feathered.
Anytime you put into your armature, it’s always going to pay you back in dividends by just making it so much easier. Taking the test scope. I know when I first started, sometimes it was recommended to just use skinny little wire with no padding or anything underneath it. And I think a lot of people had trouble with that method because the clay needs to have something to press against. Otherwise, if you’re just pushing into it, there’s nothing to stop that pushing. And it’s just going to keep going. So if it has something underneath it to press against, then it’s much easier to get the shapes that you want without having to push so hard in. And it just makes the doll a lot more customizable. So it’s not because it’s a small that it shouldn’t have an armature because it has a, another purpose. It does exactly control more.
To get started here, we’re going to just make a simple flour. And when you roll the clay out, it’s really important to always lift it first, before you start doing anything, because it’s so sticky that it’s going to want to stick to this plastic piece. And if you start cutting things out and you haven’t lifted the clay, they’re going to be stuck. So you want to always pull the clay away from the plastic. I’m just going to use a little, a little box top here to cut a circle, and I’m going to make a little flower shape out of this circle, going to actually do two. I’m going to take the top of, of a glue stick, which just happens to be about the right size for a smaller circle. It’s going to go inside. So there we have these two little pieces.
You don’t have to worry about air bubbles. You don’t have to worry about slipping score. All those things that you will know about. And another thing is we can fix anything. And so that’s one thing I really want to impress on you. And I’ll be talking about it throughout the class, because if you don’t like something, we can fix it. If something cracks, we can fix it. It’s not like regular clay when you’re scoping. And if it dries out, you’re done, you can’t eat. You don’t, you can’t use it anymore with regular clay. When you’re sculpting, after you get your piece done yet the hollow it all out and make sure that there’s air holes for the air to escape in your fire. Right? Because we’re not firing. We don’t have to worry about that. Plus even if you were firing it. So it’s nylon fibers are burning out, it’s leaving air holes for the air to escape in the piece and you don’t have to worry about hollowing it out or air air holes or whatever. It just fires up just fine. So, those are some of the things I love about this play, and we’ll talk about it more as I go on, because there’s so much more, that I can tell you.