Connecting the Base of the French Beading Flowers with Shahar Boyayan

“So this is the one we made. We did this. He goes, under the flower. So all I did was five full loops. Like you’ve learned already. And then I’m going to add that to the, piece. Of course, normally I would insert the flower with the wire here, but in this case, I’m just going to make it work another way. And then I can either twist a little bit of the wire. I’m just going to hold close to the care. And I put the flower tape to hide a buddy. Normally you would do this the moment you’re putting the center of the flower. Now we can call it a complete flower and then you arrange. Usually you have five is more than enough to do this and put around the flour and you have it. Okay. There you go.”

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Placing the Center of a French Beading Flower with Shahar Boyayan

Learn how to create beautiful beaded flowers using the French Beading technique. You will learn: Basic Framing, Spikes, Loops, Loop around Lacing …and much more! All while creating gorgeous flowers that you can use for decor, head bands and art pieces! Come make a whole garden of French beaded flowers. No French necessary.

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Overlapping Pedal Technique for a French Beading Flower with Shahar Boyayan

“Let’s now combine that to create another technique here that where you over lap, the paddles. So for the inside one, I want to have seven beats in my center, 3, 6, 7, or about half an inch. You would be right with either and you’re going to loop that like we did at the beginning. And you pinch, so you don’t have wire showing. And twist twice. For this one, we want three rolls of wrap around. So this is the first time we, we are doing the three roles, this course, three and four, the inside of my rows. I want, three rows, three paddles. So I have to do three more, two more. So again, same number or half an inch. 3, 4, 5, 6, 7.”

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Choosing the wire for a French Beading Flowers with Shahar Boyayan

“When you go buy these at a flower shop or a craft store, you have different gauge of wire, the 18 gauge. So the way I see, I just pinched the package, the packet a little bit, because you have very soft ones. So I see if there is any resistance. And there is quite a bit, so I want that because again, it’s heavy, right? The glass is happy. So I want that. Now there is the 16. The problem is, sometimes you don’t find it. The 16 is even better than this one because it’s very sturdy. It makes it easier for us to make the flowers. I need to have some weight. If I had a lighter gauge, the moment I put the flower here, it starts root, right? It doesn’t stay. Even with this one. Sometimes many times I bend them to make it sturdier.”

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How to Carve Freeform Shapes From Glass and Stone with Jack Hoque

“So I’m going to grab my sandpaper and kind of shape, shape this and shaping it on, on a flat surface helps a lot. Grit of the sandpaper. The grit of the sandpaper is three 20 grit wet, but I would recommend getting a nice wood sandpaper. That’s a little bit faster than this. This is just kind of all I grabbed when I left the door from home. So right now I’m just kind of, I’ve got it at an angle. I’m kind of creating a point on it again, kind of like the top part, but then I’m going to roll it like this to kind of create that ball right now. I’m just sculpting it into the small ball shape that I want.”

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Detailing With Darks When Painting Watercolor Portraits with Colleen Reynolds

“So I’m just gonna put a couple of dark. So usually on a face, the darkest dark should be the eyeball area, and I’m just going to hint at it. Must’ve been an American, ask him that question And I’m just going to soften that whole area. Try to get a hint of a pupil and that. Face of the eye. Notice I haven’t gone to my little brushes and I’m going to take this blue and I’m going to create this cast shadow from the lens or the, your piece of the glasses and the cast shadow.”

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